The needle as a tool of inscription. Thread as language. Each stitch is a decision, a scar, a mark of presence. Textile work that crosses the boundaries between craft, archive, and political gesture.

Light as memory. Obsolete processes reactivated to hold what digital cannot: the grain, the accident, the body's impression on the emulsion. Photography as contact, not capture.

The body as the primary site of knowledge. Performance as research — slow, durational, often painful. Acts that refuse documentation even as they demand witnesses.

Space made porous. Installations that activate rooms, corridors, thresholds — turning architecture into a body and the visitor into a participant. Site-specificity as a condition of meaning.